Like a lasso, the end of the world arrives
with the showmanship of a noose.


The earth, reversed. Hot, endless
ocean, then: land, coagulating


like a scab. There will be nothing
to remember us. Not the dunes


like an unturned hourglass. Not the lakes
blooming like a womb. Not the shores


receding like a hairline. Not the glaciers,
sweating to our warm breath. Not


our warm breath. The poem is left
unfinished. We will have to start again


as wordless algae. Silent as stars. Nowhere
to put our nice, clean hands. Do you follow


the laws of quantum physics?
Will my brain bleed consciousness


into a type of heaven? Somewhere,
a snake introduces the concept


of knowledge: the idea of sin.
How to swallow one’s own tail.


Because objects in motion will stay
in motion, the wheel is invented


again & again. The vowel is invented
again & again because a mouth wants


another mouth. This longing becomes
a plot. This plot becomes a lineage.


Nothing gets created again & again.
Like the inifinty between two mirrors,


the sky tears open for a new planet
& closes its mouth around a dying star.


Something celestial is taking a bow.
Something will be borrowed. Something


will be blue. Something will burn, red hot,
before it dies with the showmanship


of a noose. Like a lasso, the end
of the world arrives. An infinite loop.

Planet Detroit and Book Suey partnered to curate and publish climate poems from our community. Read the rest of the poems here.

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Stephanie Lane Sutton is from Detroit and has also lived in Chicago and Miami. Her work has appeared in The Adroit Journal, Black Warrior Review, The Offing, Prairie Schooner, among others, and her chapbook, Shiny Insect Sex, is the inaugural installment in Bull City Press's Inch Series. She has an MFA in creative writing from the University of Miami, where she served as the managing editor of Sinking City.